Interview with Jeremy Brecher
When I was a kid growing up in Cornwall, there was a lot of homemade music. Eddie Lisk’s band played at the Grange Hall. Tude Tanguay played fiddle for barn dances in the Hart’s Barn and even in the covered bridge – sometimes playing over his head or behind his back.
There was also a lot of music I didn’t know about. I knew some of the Degreenia family, but I didn’t know that Oscar Degreenia sang old English and Irish ballads that had been handed down in his family. I knew some of the Hall family but I didn’t know that Byron Hall was a singer and songwriter whose recordings ranged from talking blues to a memorial for John F. Kennedy.
The kids I grew up with like Lorraine Choiniere, now Hammond, and John Nuese got into music with a passion; both went on to become nationally known musicians. In the early 2000s, Lorraine began coming back to Cornwall and revisiting the local musicians she had known and learned from as a child. In conjunction, she and her husband, Bennett Hammond, began a series of free Cornwall Homecoming Concerts. She wrote a thesis on Cornwall music, placing it in the arc of rural Appalachian music from Georgia to Maine and the Maritimes. And she began passing on the music she had learned as a child to younger musicians, notably Rachel Gall.
Link to Lorraine’s thesis
Homegrown music in Cornwall has persisted from generation to generation. John Nuese learned much of his guitar playing from Byron Hall. Gary Hall, talking of his uncle the country singer-songwriter Byron Hall, said: Back in those days they didn’t have TV, they didn’t even have much radio. Checkers and music, that’s most of what they had.